Whatever Goes Upon Two Legs Is An

The Four Great Motives For Writing Prose Are Sheer Egoism, Esthetic Enthusiasm, Historical Impulse, And Political Purpose.

The Smell Of Her Hair, The Taste Of Her Mouth, The Feeling Of Her Skin Seemed To Have Got Inside Him, Or Into The Air All Round Him. She Had Become A Physical Necessity.

There Will Be No Curiosity, No Enjoyment Of The Process Of Life. All Competing Pleasures Will Be Destroyed. But Always— Do Not Forget This, Winston— Always There Will Be The Intoxication Of Power, Constantly Increasing And Constantly Growing Subtler. Always, At Every Moment, There Will Be The Thrill Of Victory, The Sensation Of Trampling On An Enemy Who Is Helpless. If You Want A Picture Of The Future, Imagine A Boot Stamping On A Human Face— Forever.

Power-worship Blurs Political Judgment Because It Leads, Almost Unavoidably, To The Belief That Present Trends Will Continue. Whoever Is Winning At The Moment Will Always Seem To Be Invincible.

Political Writing In Our Time Consists Almost Entirely Of Prefabricated Phrases Bolted Together Like The Pieces Of A Child's Meccano Set. It Is The Unavoidable Result Of Self-censorship. To Write In Plain, Vigorous Language One Has To Think Fearlessly, And If One Thinks Fearlessly One Cannot Be Politically Orthodox.