What The World Needs Right Now... A

Miami Is Nothing Like Me, And Thats Why I Need To Be Here - Its The Opposite. Im Practical, Where This Place Is Moody, Im Stolid In My Interior, Where This Place Has A Certain Flair, And Im Materialistic In A Sense That This Place Is Fundamentally Spiritual - Theres A Quicksilver Quality About This Place.

In 1965, When Great Young White Artists In The English-speaking World Were Successfully Re-channeling Hillbilly And Black Music - You Know Bob Dylan, Ray Davies, Pete Townsend, Keith Richards - They Didn't Get Any Money At First. They Were All Broke.

I Was A Pretty Nice Kid. Kind Of Quiet, But Quiet In Terms I Wasn't Going Out And Setting Fire To Anything. I Had A Big Mouth And I Was Creative Type, You Know.

I Spent Most Of The Eighties, Most Of My Life, Riding Around In Somebody Else's Car, In Possession Of, Or Ingested Of, Something Illegal, On My Way From Something Illegal To Something Illegal With Many Illegal Things Happening All Around Me

I Thought That If I Practiced Doing Melodies For A Year Or So At Home, I Would Learn To Think Melodically, And When I Went To Work It Would Come Out, And It Did, On This Album. What Else Was Important To Me...? I Spend A Lot Of Time In The Grocery Store, Shopping.