What Is Filmmaking But Groping In The

I'd Love To Be A Director-for-hire And Get A Nice Paycheck And Captain One Of Those Big Ships, But I Think Studios Mistakenly Think I Want To Write What I Direct - Which I Don't. I Write Out Of Desperation, Because I Never Get A Script I Like, Other Than "nebraska." It's A Matter Of: What's The Screenplay? Is It Intelligent? Is It Human? I Don't Care What Genre, What Scale. I'm Here For The Movies.

The Actors Are The Greatest Executors Of Tone In A Film. They're The Most Important Cinematic Component.

Cinema Really Lends Itself Well To Big, Archetypal Stories, You Know, Classic Old Stories And You Need Kind Of A Weird, Big Terrain Like The Japanese Plains For Samurai Movies Or The West. You Need That For These Giants To Walk Around.

A Lot Of Documentaries Have Been Made Very Quickly, But I Think They're Like Frogs In An Ecosystem: They're Harbingers. Film Is Always Two Or Three Years Behind, Because It Takes So Long To Write A Script, Get Financing, And Get It Made. It Just Takes A While. But I Think It's Coming. It Has To.

All Three Parts Of Filmmaking [writing, Shooting, Editing] Contribute To Rhytm. You Want The Script To Be A Tight As Possible, You Want The Acting To Be As Efficient As Possible On The Set, And You Have Enough Coverage To Manipulate The Rhythm In The Editing Room, And Then In The Editing Room You Want To Find The Quickest Possible Version, Even If It's A Leisurely Paced Film. I Definitely In Filmmaking More And More Find Writing And Directing A Means To Harvest Material For Editing. It's All About Editing.