The Best Cinema Is About Ethics.

Adult Movies With Any Artistic Credit Are Released In The Last Quarter Of The Year And Expected To Gird For Battle For Globes And Oscars. So The Films Aren't Being Seen Just For Themselves, But Rather In A Competitive Context.

I'd Love To Be A Director-for-hire And Get A Nice Paycheck And Captain One Of Those Big Ships, But I Think Studios Mistakenly Think I Want To Write What I Direct - Which I Don't. I Write Out Of Desperation, Because I Never Get A Script I Like, Other Than "nebraska." It's A Matter Of: What's The Screenplay? Is It Intelligent? Is It Human? I Don't Care What Genre, What Scale. I'm Here For The Movies.

I Want All Of My Films To Belong To Me.

In A General Sense, To Convert Any Short Story, Novel, Play, Or Opera Into A Movie, You Have To Re-rig It. Even Though They're All Narratives Over Time, They're Very Different Forms.

Were "a Clockwork Orange" Or "blue Velvet" Released Today, Would They Have The Same Power To Shock That They Had When They Came Out? Are We Too Inured By That Torrent Of Images And The Ridiculousness Of Modern Political Life, So That Nothing Shocks Us Anymore? What Does It Take To Shock Someone Today - Or At Least Jolt Them? I Don't Have An Answer. I'm Just Asking The Question.