What I Try To Do Is Write

I'm Not A Big Dreamer. I Never Have Been.the Only Thing I've Sort Of Obviously Extracted From The Research Of Dreams Is That I Don't Think There's A Specific Science You Can Put On Dream Psychology. I Think That It's Up To, Obviously, The Individual. Obviously, We Suppress Things, Emotions, Things During The Day - Thoughts That We Obviously Haven't Thought Through Enough, And In That State Of Sleep When Our Subconscious Or Mind Just Sort Of Randomly Fires Off Different Surreal Story Structures, And When We Wake Up We Should Pay Attention To These Things.

I've Never Read Joseph Campbell, And I Don't Know All That Much About Story Archetypes.

Particularly, The Actors, To Have Analyzed The Script In Great Detail From The Point Of View Of Their Specific Character. So That They Have A Handle On Exactly Where The Character Is In The Chronology Of Things. In That Sense The Actors Become Your Best Check On The Logic Of The Piece, And The Way In Which It All Fits Together. They Become Essential Collaborators. The Main Thing Is You Have To Work With Very Smart Actors.

Every Great Story Deserves A Great Ending

I Think The Films Insomnia And Memento Share All Sorts Of Thematic Concerns, Such As The Relationship Between Motivation And Action, And The Difficulty Of Reconciling Your View Of The Story With The Supposed Objective View Of That Story.