Well, In Bradford I Could Say I

What The Art Historians Had Forgotten Is That In Chinese, Japanese, Persian, And Indian Art, They Never Painted Shadows. Why Did They Paint Shadows In European Art? Shadows Are Because Of Optics. Optics Need Shadows And Strong Light. Strong Light Makes The Deepest Shadows. It Took Me A Few Years To Realize Fully That The Art Historians Didn't Grasp That. There Are A Lot Of Interesting New Things, Ideas, Pictures.

The Cameras Are Getting Smaller, They're Getting More Versatile, And Eventually, I'm Sure You'll Have A Camera With Lots And Lots Of Things On It So You Can Alter The Picture. You Could Alter Perspective.

Television Is Becoming A Collage - There Are So Many Channels That You Move Through Them Making A Collage Yourself. In That Sense, Everyone Sees Something A Bit Different.

I Had Always Planned To Make A Large Painting Of The Early Spring, When The First Leaves Are At The Bottom Of The Trees, And They Seem To Float In Space In A Wonderful Way. But The Arrival Of Spring Can't Be Done In One Picture.

I Believe That The Problem Of How You Depict Something Is A Formal Problem. It's An Interesting One And It's A Permanent One; There's No Solution To It. There Are A Thousand And One Ways You Can Go About It. There's No Set Rule.