To Define A Thing Is To Substitute

The Painter Thinks In Terms Of Form And Color. The Goal Is Not To Be Concerned With The Reconstitution Of An Anecdotal Fact, But With Constitution Of A Pictorial Fact.

When Objects Shattered Into Fragments Appeared In My Painting About 1909, This For Me Was A Way Of Getting Closest To The Object... Fragmentation Helped Me To Establish Space And Movement In Space.

There Is More Sensitivity In Technique Than In The Rest Of The Picture.

Scientific Perspective Forces The Objects In A Picture To Disappear Away From The Beholder Instead Of Bringing Them Within His Reach As Painting Should.

Whatever Is In Common Is True; But Likeness Is False.