To Be Naked Is To Be Oneself.

Never Again Shall A Single Story Be Told As Though It Were The Only One.

The Heart Of Paris Is Like Nothing So Much As The Unending Interior Of A House. Buildings Become Furniture, Courtyards Become Carpets And Arrases, The Streets Are Like Galleries, The Boulevards Conservatories. It Is A House, One Or Two Centuries Old, Rich, Bourgeois, Distinguished. The Only Way Of Going Out, Or Shutting The Door Behind You, Is To Leave The Centre.

We Live In A Dominant Culture Of Ceaseless Departure And Progress That Has So Far Lasted Two Or Three Centuries.

The Opposite Of Love Is Not To Hate But To Separate. If Love And Hate Have Something In Common It Is Because, In Both Cases, Their Energy Is That Of Bringing And Holding Together

Directors Like Satyajit Ray, Rossellini, Bresson, Buñuel, Forman, Scorsese, And Spike Lee Have Used Non-professional Actors Precisely In Order That The People We See On The Screen May Be Scarcely More Explained Than Reality Itself. Professionals, Except Fo The Greatest, Usually Play Not Just The Necessary Role, But An Explanation Of The Role.