There's More To Light Than The Opposite

Secrecy Is The Enemy Of Efficiency, But Don't Let Anyone Know It.

They're Caught Where There's No Way Out Or Where You Can't See Out. What Are You Going To Do About It? I Don't Have The Answer. If I Did There Would Be No Insane Asylums. But I See A Lot Of People, A Lot Of My Friends In The Same Predicament. Many Times In My Life, I Was There Myself.

The Best Thing You Can Do For A Song Is To Hear It On The Radio And To Imagine What It Could Mean To You And Then Kinda Forget The Words. Just Imagine How You Felt When You Heard It, If It Was One Of Your Songs. If It Became One Of Your Songs. If It Meant Whatever It Meant For You And As Soon As You See The Visual, You Get A Rapid Eye Movement Relationship With The Song Instead Of An Imaginative One. I Think That Can Be Dangerous Because I Don't Think I'd Want To Be Listening To A Song On The Radio And Thinking About The Video. Whatever That One Interpretation Was

Once They're On Paper, They're Gone. I Like To Do As Much With The Words, As Far As Image Goes.

I Think I Understand What Bands Want, Just From Having Made Records Myself. I Understand What It Takes To Get A Good Vocal Sound, Or To Make People Comfortable In The Studio. From Minor Things Like Their Headphone Mix - And If A Singer's Singing, How They Should Hear Themselves - To How To Make People Feel That They're Getting Exactly What They Want. All Those Things, I Think, Are An Advantage, Especially The Part About Having Done It Myself. I'm Not Just An Engineer Who Records The Sounds Well. I'm Not Afraid To Take Chances.