There Are A Limited Number Of Promoters

I Don't Usually Read Reviews. I Usually Read The Interviews, Just Because I Figure It's A Good Way To Try To Do Them Better If I Ever Have To Do Them Again.

Venues Are All The Same, All Feel The Same, These Generic Blank Spaces. I Like Artists Like Lightning Bolt-bands That Go In And Kind Of Change Things Every Time, Play On The Floor, Set Up In The Middle Of The Room. They Go In And They Reinvent The Space Every Time, Which I Feel Is Like The Kind Of Thing That Should Just Be Happening.

Then Little Writings And Recordings That Thankfully Continue To Come Up. I'm In This Kind Of Wonderful, Kind Of Awkward, Off-putting, And Strange Position Where There's Nothing I Want To Do More Than Continue To Make Music, But The Ways That I Do Things Are Not In Tune With How I Can Do Them Commercially.

To Sing With Other People And For Other People, That's When You Can Really Learn Something About Your Voice. You Can Only Learn So Much If You Create Your Own Boundaries All The Time. But Then, Other People Can Really Teach You Something. You Know, If You're Trying To Sing With Them, Or If Someone Brings A Style.

I'd Like My Records To Reach As Many People As Possible, But I'm Also Thinking In Terms Of How I Can Keep From Getting Jaded Or Unhappy With The Process.