I Make The Songs And Part Of

I Was Really Looking Forward To Doing The Thing That I Do - I Basically Appear Just At The Beginning And At The End Of The 'the Glory Of The World' Play - But When I Got To Opening Night, I Started To Get Really Sad That That Was The Last Time I Was Going To See The Play As A Spectator Without Actually Being In It.

I Still Make Music. I Still Write Music And I Record Music, I Just Don't Trust Music Promotion [and] Distribution Right Now Enough To Record A New Set Of Diligently Worked-upon Compositions. I Do Trust The Audience And The Audiences Very Much.

I'd Like My Records To Reach As Many People As Possible, But I'm Also Thinking In Terms Of How I Can Keep From Getting Jaded Or Unhappy With The Process.

I Felt So Liberated When I First Saw Charles Mee’s 'the Glory Of The World' At Bam Play, Because For Me This Is The Gateway To Contemplation, Or This Is The Gateway To Love, Or This Is The Gateway To Faith, Not Sitting And Reading A Book By An Isolated Monk, God Bless Him. This Is.

Venues Are All The Same, All Feel The Same, These Generic Blank Spaces. I Like Artists Like Lightning Bolt-bands That Go In And Kind Of Change Things Every Time, Play On The Floor, Set Up In The Middle Of The Room. They Go In And They Reinvent The Space Every Time, Which I Feel Is Like The Kind Of Thing That Should Just Be Happening.