The Straight Line Is Regarded As The

In The End, Glorification Of Splendid Underdogs Is Nothing Other Than Glorification Of The Splendid System That Makes Them So.

The Forms Of Art Reflect The History Of Man More Truthfully Than Do Documents Themselves.

It Is Not The Office Of Art To Spotlight Alternatives, But To Resist By Its Form Alone The Course Of The World, Which Permanently Puts A Pistol To Men's Heads.

The Taboos That Constitute A Man's Intellectual Stature, Often Sedimented Experiences And Unarticulated Insights, Always Operate Against Inner Impulses That He Has Learned To Condemn, But Which Are So Strong That Only An Unquestioning And Unquestioned Authority Can Hold Them In Check.

The Capacity For Fear And For Happiness Are The Same, The Unrestricted Openness To Experience Amounting To Self-abandonment In Which The Vanquished Rediscovers Himself.