In Myths The Warrant Of Grace Was

He Who Stands Aloof Runs The Risk Of Believing Himself Better Than Others And Misusing His Critique Of Society As An Ideology For His Private Interest.

They [the Critics] Deal With Schoenberg's Early Works And All Their Wealth By Classifying Them, With The Music-historical Cliché, As Late Romantic Post-wagnerian. One Might Just As Well Dispose Of Beethoven As A Late-classicist Post-haydnerian.

The Almost Insoluble Task Is To Let Neither The Power Of Others, Nor Our Own Powerlessness, Stupefy Us.

People Know What They Want Because They Know What Other People Want.

Everything About Art Has Become Problematic; Its Inner Life, Its Relation To Society, Even Its Right To Exist.