The Realists Do Not Take The Photograph

The Ventoux Is A God Of Evil, To Which Sacrifices Must Be Made. It Never Forgives Weakness And Extracts An Unfair Tribute Of Suffering.

…the Book Creates Meaning, The Meaning Creates Life.

Usually The Amateur Is Defined As An Immature State Of The Artist: Someone Who Cannot — Or Will Not — Achieve The Mastery Of A Profession. But In The Field Of Photographic Practice, It Is The Amateur, On The Contrary, Who Is The Assumption Of The Professional: For It Is He Who Stands Closer To The (i)noeme(i) Of Photography.

The Photograph Belongs To That Class Of Laminated Objects Whose Two Leaves Cannot Be Separated Without Destroying Them Both: The Windowpane And The Landscape, And Why Not: Good And Evil, Desire And Its Object: Dualities We Can Conceive But Not Perceive... Whatever It Grants To Vision And Whatever Its Manner, A Photograph Is Always Invisible: It Is Not It That We See.

A Picture Is Never Anything But Its Own Plural Description.