I Am Interested In Language Because It

As Spectator I Wanted To Explore Photography Not As A Question (a Theme) But As A Wound.

The Photograph Is An Extended, Loaded Evidence — As If It Caricatured Not The Figure Of What It Represents (quite The Converse) But Its Very Existence ... The Photograph Then Becomes A Bizarre (i)medium(i), A New Form Of Hallucination: False On The Level Of Perception, True On The Level Of Time: A Temporal Hallucination, So To Speak, A Modest (o)shared(i) Hallucination (on The One Hand 'it Is Not There,' On The Other 'but It Has Indeed Been'): A Mad Image, Chafed By Reality.

Tout Ce Qui Est Anachronique Est Obsce' Ne. Everything Anachronistic Is Obscene.

What I Claim Is To Live To The Full The Contradiction Of My Time, Which May Well Make Sarcasm The Condition Of Truth.

I Want To Be Both Pathetic And Admirable, I Want To Be At The Same Time A Child And An Adult. Thereby I Gamble, I Take A Risk: For It Is Always Possible That The Other Will Simply Ask No Question Whatever About These Unaccustomed Glasses; That The Other Will See, In The Fact, No Sign.