The Real Truth, I Thought, In Terms

Sam Fuller And 'shock Corridor' Can Only Be Conjured As A Mantra. 'shock Corridor' Is A Classic Work Of Art - It's Unique. It Comes From The Unique Experience Of Being Sam Fuller And Yes, There's Always That Element Of 'shock Corridor' Hovering Around The Picture, But Never Specifically. In Fact, I Didn't Even Screen It Because It's In Us. It's In Me Anyway. It's In Me. It Was A Way Of Conjuring Up Support Just By Saying The Name, 'shock Corridor,' As I Was Going To Shoot. Poor Sam [fuller]...

Howard Hughes Was This Visionary Who Was Obsessed With Speed And Flying Like A God... I Loved His Idea Of What Filmmaking Was.

There Are Movies That Change The Whole Way In Which Films Are Made, Like Klute, Where Gordon Willis’s Photography On The Film Is So Textured, And, They Said, Too Dark.

The First Element That I Connected With Was The Emotion. Sorry, That's How It Goes.

I Just - I Kind Of See It That Way. I Find The Higher Angles Down. I Do - Look, You Can Go Back To The Staircase Shots In "third Man" Or The Staircase In "la Dolce Vita." So I Just Find That Visual Construction In A Frame.