The Real Subject Of Every Painting Is

My Garden Is A Slow Work, Pursued With Love And I Do Not Deny That I Am Proud Of It. Forty Years Ago, When I Established Myself Here, There Was Nothing But A Farmhouse And A Poor Orchard...i Bought The House And Little By Little I Enlarged And Organized It...i Dug, Planted Weeded, Myself; In The Evenings The Children Watered.

I Want The Unobtainable. Other Artists Paint A Bridge, A House, A Boat, And That's The End. They Are Finished. I Want To Paint The Air Which Surrounds The Bridge, The House, The Boat, The Beauty Of The Air In Which These Objects Are Located, And That Is Nothing Short Of Impossible.

I'm Not Performing Miracles, I'm Using Up And Wasting A Lot Of Paint.

It's On The Strength Of Observation And Reflection That One Finds A Way. So We Must Dig And Delve Unceasingly.

The Older I Become The More I Realize Of That I Have To Work Very Hard To Reproduce What I Search: The Instantaneous. The Influence Of The Atmosphere On The Things And The Light Scattered Throughout.