The Plane Of Consistency Is The Abolition

According To Beckett's Or Kafka's Law, There Is Immobility Beyond Movement: Beyond Standing Up, There Is Sitting Down, And Beyond Sitting Down, Lying Down, Beyond Which One Finally Dissipates.

Nietzsche's Break With Schopenhauer Rests On Precisely This Point; It Is A Matter Of Knowing Whether The Will Is Unitary Or Multiple.

The Aim Of Critique Is Not The Ends Of Man Or Of Reason But In The End The Overman, The Overcome, Overtaken Man. The Point Of Critique Is Not Justification But A Different Way Of Feeling: Another Sensibility

D.h. Lawrence Had The Impression – That Psychoanalysis Was Shutting Sexuality Up In A Bizarre Sort Of Box Painted With Bourgeois Motifs, In A Kind Of Rather Repugnant Artificial Triangle, Thereby Stifling The Whole Of Sexuality As A Production Of Desire So As To Recast It Along Entirely Different Lines, Making Of It A ‘dirty Little Secret’, A Dirty Little Family Secret, A Private Theater Rather Than The Fantastic Factory Of Nature And Production

Either It Is The Fold Of The Infinite, Or The Constant Folds [replis] Of Finitude Which Curve The Outside And Constitute The Inside.