The Only Difference Between A Problem And

Most Of The Methods Of Training The Conscious Side Of The Writer-the Craftsman And The Critic In Him- Are Actually Hostile To The Good Of The Artist's Side; And The Converse Of This Proposition Is Likewise True. But It Is Possible To Train Both Sides Of The Character To Work In Harmony, And The First Step In That Education Is To Consider That You Must Teach Yourself Not As Though You Were One Person, But Two.

Writing Calls On Unused Muscles And Involves Solitude And Immobility.

In The Long Run It Makes Little Difference How Cleverly Others Are Deceived; If We Are Not Doing What We Are Best Equipped To Do, Or Doing Well What We Have Undertaken As Our Personal Contribution To The World's Work, At Least By Way Of An Earnestly Followed Avocation, There Will Be A Core Of Unhappiness In Our Lives Which Will Be More And More Difficult To Ignore As The Years Pass.

Most Writers Flourish Greatly On A Simple, Healthy Routine With Occasional Time Off For Gaiety.

Old Habits Are Strong And Jealous.