The Most Important Thing In A Piece

I Think Generally Playing Live Is A Crap Idea. So Much Of Stage Work Is The Presentation Of Personality, And I've Never Been Interested In That.

If You Watch Any Good Player, They're Using Different Parts Of Their Body And Working With Instruments That Respond To Those Movements. They're Moving In Many Dimensions At Once.

I'd Rather Hold One Note For An Hour And Modulate It So That It Means Something Than Play 3,000 Notes In 15 Seconds.

The Micro-compositions Are The Pieces Themselves, But The Macro-composition Is The Whole Set Of Them And How It Moves From Track To Track And How The Titles Relate To One Another, For Example. Always When I Do Records Like This Of A Selection Of Instrumental Pieces - The Titles, To Me, Are Very Important.

I Do Love Being In My Studio. Especially At Night.