The Most Important Thing In A Piece

The Micro-compositions Are The Pieces Themselves, But The Macro-composition Is The Whole Set Of Them And How It Moves From Track To Track And How The Titles Relate To One Another, For Example. Always When I Do Records Like This Of A Selection Of Instrumental Pieces - The Titles, To Me, Are Very Important.

We Are Increasingly Likely To Find Ourselves In Places With Background Music. No Composers Have Thought To Write For These Modern Spaces, Which Represent 30% Of Our Musical Experience.

You Can't Really Imagine Music Without Technology.

The Marshall Guitar Amplifier Doesn't Just Get Louder When You Turn It Up. It Distorts The Sound To Produce A Whole Range Of New Harmonics, Effectively Turning A Plucked String Instrument Into A Bowed One. A Responsible Designer Might Try To Overcome This Limitation - Probably The Engineers At Marshall Tried, Too. But That Sound Became The Sound Of, Among Others, Jimi Hendrix. That Sound Is Called Electric Guitar.

I Think That's Very Significant That We're So Attached To The Idea Now Of - It Was Something I Advocated For Years, That You Can Make Music In Studios, Music Doesn't Have To Be Made As A Real-time Experience. But Now You See The Results Of That In People Who Are Completely Crippled Unless They Know That They Have The Possibility Of "cut And Paste" And "undo." And "undo" And "undo" And "undo" And "undo" And "undo" Again.