Pop Is Totally Results-oriented And There Is

When I Was Working With Talking Heads What Would Happen Typically Is That They Would Go Out And Start Playing A Track, And I Would Always Run The Tape. I Always Record Everything, Even A Run Through Where You're Trying To Get In Tune. That's A Principle Because Sometimes When The Situation Isn't Clear Interesting Things Happen, And They Are Worth Listening To Again.

The Philosophical Idea That There Are No More Distances, That We Are All Just One World, That We Are All Brothers, Is Such A Drag! I Like Differences.

In The 1960s, People Were Trying To Get Away From The Pop Song Format. Tracks Were Getting Longer, Or Much, Much Shorter.

You Know That In Order To Copyright Material Somebody Has To Write It Down For You. Any Piece Of Recorded Material Has To Be Scored In Order For It To Be Copyrighted. I've Seen The Scores Of My Things And They Don't Resemble The Music In Any Way. If You Give Them To Somebody Who Has Never Heard The Music And Say, "what Does This Sound Like To You?" They'll Play You Something That Has No Relationship With The Music It Derives From. Notation Simply Isn't Adequate.

Also Something That You Don't Have To Listen To From Beginning To End - You Can Enter At Any Point And Leave At Any Point.