The More Perfect Our Means Of Direct

Entropy Theory Is Indeed A First Attempt To Deal With Global Form; But It Has Not Been Dealing With Structure. All It Says Is That A Large Sum Of Elements May Have Properties Not Found In A Smaller Sample Of Them.

No Longer Can We Consider What The Artist Does To Be A Self-contained Activity, Mysteriously Inspired From Above, Unrelated And Unrelatable To Other Human Activities. Instead, We Recognize The Exalted Kind Of Seeing That Leads To The Creation Of Great Art As An Outgrowth Of The Humbler And More Common Activity Of The Eyes In Everyday Life. Just As The Prosaic Search For Information Is "artistic" Because It Involves Giving And Finding Shape And Meaning, So The Artist's Conceiving Is An Instrument Of Life, A Refined Way Of Understanding Who And Where We Are.

The Arts, As A Reflection Of Human Existence At Its Highest, Have Always And Spontaneously Lived Up To This Demand Of Plenitude. No Mature Style Of Art In Any Culture Has Ever Been Simple.

The Foreign Accent Was A Promise, And Indeed, All Over The Country, European Imports Added Spice To The Sciences, The Arts, And Other Areas. What One Had To Give Was Not Considered Inferior To What One Received.

What, Then, Is The Basic Difference Between Today's Computer And An Intelligent Being? It Is That The Computer Can Be Made To Seebut Not To Perceive. What Matters Here Is Not That The Computer Is Without Consciousness But That Thus Far It Is Incapable Of The Spontaneous Grasp Of Pattern--a Capacity Essential To Perception And Intelligence.