The Heart Of A Music Is Its

We Learn A Language Through Its Song, And Even If You Don't Have Music You Have The Song Of People You Love's Voice, And You'll Notice That Song In Their Voice.

I Grew Up In The South, In New Orleans, Where Guys Torture You All The Time. So I Didn't Really Grow Up On The Self-esteem Campaign. When You Were Lousy At Something, They Told You You Were Lousy, And They Told You How To Fix It.

I Remember When I Wrote A Piece, "blood On The Fields," It Was A While Ago, It Was About Slavery And About Two Characters, And I Studied So Much Of Music, I Would Always Go Back To The Original Documents, And As Much As I Can Get Original Chants And Slave Chants And Different Type Of Beats And Rhythms And Ring Shout.

My Thing Is, Once You Start To Put A Backbeat On Your Music Or Something That Has A Machine In It, You Have Popularity, But You Lose The Flexibility. And You Lose A Richness.

If You Didn't Have The Amalgam Of Blacks And African-type Sensibility And European Sensibility, You Wouldn't Have Jazz. Even In The Negative And In The Positive Ways - If There Was No Slavery And The Abolition Of Slavery, There Would Be No Jazz.