The Great Movie Can Be As Free

One Person May Need (or Want) More Leisure, Another More Work; One More Adventure, Another More Security, And So On. It Is This Diversity That Makes A Country, Indeed A State, A City, A Church, Or A Family, Healthy. 'one-size-fits-all,' And That Size Determined By The State Has A Name, And That Name Is 'slavery.'

At The Neighborhood Playhouse School Of Theatre, Sanford Meisner Said, 'when You Go Into The Professional World, At A Stock Theatre Somewhere, Backstage, You Will Meet An Older Actor, Someone Who Has Been Around Awhile. He Will Tell You Tales And Anecdotes, About Life In The Theatre. He Will Speak To You About Your Performance And The Performances Of Others, And He Will Generalize To You, Based On His Experience And His Intuitions, About The Laws Of The Stage. Ignore This Man!'

Consider: For All The Gobbledegook [film Studio] Executives Spout About Backstory, All That We, The Audience, Want To Know Is What Happens Next. That's The Only Thing That's Going On. . . . Character Is Nothing Other Than Action, And Character-driven Means The Plot Stinks, And You'd Better Hope The Star Is Popular Enough To Open The Movie In Spite Of It.

Policemen So Cherish Their Status As Keepers Of The Peace And Protectors Of The Public That They Have Occasionally Been Known To Beat To Death Those Citizens Or Groups Who Question That Status.

Let The Cut Tell The Story. Otherwise You Have Not Got Dramatic Action, You've Got Narration.