In Practice We, In The World, Must

People Only Speak To Get Something. If I Say, Let Me Tell You A Few Things About Myself, Already Your Defenses Go Up; You Go, Look, I Wonder What He Wants From Me, Because No One Ever Speaks Except To Obtain An Objective. That's The Only Reason Anyone Ever Opens Their Mouth, Onstage Or Offstage. They May Use A Language That Seems Revealing, But If So, It's Just Coincidence, Because What They're Trying To Do Is Accomplish An Objective.

The Popularity Of Disaster Movies Expresses A Collective Perception Of A World Threatened By Irresistible And Unforeseen Forces Which Nevertheless Are Thwarted At The Last Moment. Their Thinly Veiled Symbolic Meaning Might Be Translated Thus: We Are Innocent Of Wrongdoing. We Are Attacked By Unforeseeable Forces Come To Harm Us. We Are, Thus, Innocent Even Of Negligence. Though Those Forces Are Insuperable, Chance Will Come To Our Aid And We Shall Emerge Victorious.

You Got An All-out Prize Fight, You Wait 'til The Fight's Over, One Guy's Left Standing And That's How You Know Who's Won.

It Is The Writer’s Job To Make The Play Interesting. It Is The Actor’s Job To Make The Performance Truthful.

Culture Exists And Evolves To Relegate To Habit Categories Of Interactions The Constant Conscious Reference To Which Would Make Human Interaction Impossible.