The Glory Of A Good Tale Is

When You Write You Tell Yourself A Story. When You Rewrite You Take Out Everything That Is Not The Story.

You Have To Go Where The Book Leads You.

Everybody Wants To Psychoanalyze Horror. They Don't Want To Psychoanalyze A Book Like Gay Talese's "sex With Your Neighbor" [sic] Or Something Like That. It's Pretty Much Accepted That Americans Should Be Interested In Who They're Diddling And How They're Doing It.

The Horror Genre Is An Extremely Delicate Thing. You Can Talk To Filmmakers And Even Psychologists Who've Studied The Genre, And Even They Don't Understand What Works Or What Doesn't Work. More Importantly, They Don't Understand Why It Works When It Works.

The Town Has A Sense, Not Of History, But Of Time, And The Telephone Poles Seem To Know This. If You Lay Your Hand Against One, You Can Feel The Vibration From The Wires Deep Within The Wood, As If Souls Had Been Imprisoned In There And Were Struggling To Get Out.