The Future's Another Country, Man... And I

Sometimes I Think My Whole Professional Life Has Been Based On This Hunch I Had, Early On, That Many People Feel Just As Muddled As I Do, And Might Be Happy To Tag Along With Me On This Search For Clarity, For Precision. I Love That Aspect Of Writing. Nothing Makes Me Happier Than To Hear A Reader Say: That’s Just What I’ve Always Felt, But You Said It Clearly.

I'm Most Honest About Writing When I'm Talking To Family Or Friends, Not To Newspapers.

For Me, George Saunders Novel [lincoln In The Bardo] Is About A Problem Of Pain.

I Tap Danced For Ten Years Before I Began To Understand People Don't Make Musicals Anymore. All I Wanted To Do Was Be At Mgm Working For Arthur Freed Or Gene Kelly Or Vincent Minelli. Historical And Geographical Constraints Made This Impossible. Slowly But Surely The Pen Became Mightier Than The Double Pick-up Time Step With Shuffle.

Every Genuinely Literary Style, From The High Authorial Voice To Foster Wallace And His Footnotes-within-footnotes, Requires The Reader To See The World From Somewhere In Particular, Or From Many Places. So Every Novelist's Literary Style Is Nothing Less Than An Ethical Strategy - It's Always An Attempt To Get The Reader To Care About People Who Are Not The Same As He Or She Is.