The Concept Of Progress Must Be Grounded

In Other Words, The Unique Value Of The "authentic" Work Of Art Has Its Basis In Ritual, The Location Of Its Original Use Value. This Ritualistic Basis, However Remote, Is Still Recognizable As Secularized Ritual Even In The Most Profane Forms Of The Cult Of Beauty.

The Messiah Comes Not Only As The Redeemer, He Comes As The Subduer Of Antichrist. Only That Historian Will Have The Gift Of Fanning The Spark Of Hope In The Past Who Is Firmly Convinced That Even The Dead Will Not Be Safe From The Enemy If He Wins. And This Enemy Has Not Ceased To Be Victorious.

He Who Asks Fortune-tellers The Future Unwittingly Forfeits An Inner Intimation Of Coming Events That Is A Thousand Times More Exact Than Anything They May Say. He Is Impelled By Inertia, Rather Than Curiosity, And Nothing Is More Unlike The Submissive Apathy With Which He Hears His Fate Revealed Than The Alert Dexterity With Which The Man Of Courage Lays Hands On The Future.

The Nourishing Fruit Of The Historically Understood Contains Time As A Precious But Tasteless Seed.

Not To Find One's Way Around A City Does Not Mean Much. But To Lose One's Way In A City, As One Loses One's Way In A Forest, Requires Some Schooling. Street Names Must Speak To The Urban Wanderer Like The Snapping Of Dry Twigs, And Little Streets In The Heart Of The City Must Reflect The Times Of Day, For Him, As Clearly As A Mountain Valley. This Art I Acquired Rather Late In Life; It Fulfilled A Dream, Of Which The First Traces Were Labyrinths On The Blotting Papers In My School Notebooks.