The Beauty Of A Lovely Woman Is

How Is It That The Poets Have Said So Many Fine Things About Our First Love, So Few About Our Later Love? Are Their First Poems Their Best? Or Are Not Those The Best Which Come From Their Fuller Thought, Their Larger Experience, Their Deeper-rooted Affections? The Boy's Flute-like Voice Has Its Own Spring Charm; But The Man Should Yield A Richer, Deeper Music.

It Is The Way With Half The Truth Amidst Which We Live, That It Only Haunts Us And Makes Dull Pulsations That Are Never Born Into Sound.

What Deep And Worthy Love Is So, Whether Of Woman Or Child, Or Art Or Music. Our Caresses, Our Tender Words, Our Still Rapture Under The Influence Of Autumn Sunsets, Or Pillared Vistas, Or Calm Majestic Statues, Or Beethoven Symphonies All Bring With Them The Consciousness That They Are Mere Waves And Ripples In An Unfathomable Ocean Of Love And Beauty; Our Emotion In Its Keenest Moment Passes From Expression Into Silence, Our Love At Its Highest Flood Rushes Beyond Its Object And Loses Itself In The Sense Of Divine Mystery.

... There Is A Lightness About The Feminine Mind--a Touch And Go--music, The Fine Arts, That Kind Of Thing--they Should Study Those Up To A Certain Point, Women Should; But In A Light Way, You Know.

But Human Experience Is Usually Paradoxical, That Means Incongruous With The Phrases Of Current Talk Or Even Current Philosophy.