That's Who Comes To My Workshops. I

When I First Went To 'national Geographic,' I Thought I Was The Least Qualified Person To Step Through The Doors. But Because Of My Parents And The Culture Of Continual Learning They Imposed On Us, I Later Came To Believe I Was The Most Qualified Person Who Ever Worked There.

I Can't Speak For Other Photographers, But The Photographers Who Went Forward Strongly When The So-called "official" Part Of Their Career Ended, To Me, Were Those Who Had Taught. Teaching Enriches And Enlivens One's Work.

Exotic Novelty. My Statement To [people] Is Always, Well, Set This Picture In Your Home Town, Is It Still An Interesting Picture? Or Is It Just Exotic? Would I Care About This Same Picture Minus Its Exoticism?

The Reason I Don't Want To Say Anything About It Is It Has A Strange Power To Take Over The Conversation. Just Like It's Doing With Us. I Was Asked To Participate In A Documentary About Richard Prince, And Be The Voice Of Someone Who Was Appropriated, And I Declined. The Reason I Did Is I Don't Want It To Be The Subject Of The Discussion Of My Work.

That's Who Comes To My Workshops. I Jokingly Tell My Students That The Class Could Be Called "your Photographs: Better."