My Dad Took A Workshop From A

For Spiritual Companions I Have Had The Many Artists Who Have Relied On Nature To Help Shape Their Imagination. And Their Most Elaborate Equipment Was A Deep Reverence For The World Through Which They Passed. Photographers Share Something With These Artists. We Seek Only To See And To Describe With Our Own Voices, And, Though We Are Seldom Heard As Soloists, We Cannot Photograph The World In Any Other Way.

The Best Lesson I Was Given Is That All Of Life Teaches, Especially If We Have That Expectation.

There Are A Lot Of Ways To Talk About The Life Of A Photograph. You Can Talk About The Afterlife Of A Photograph, And In The End I Talk About That, With The Richard Prince Picture. But Mainly, What I Dedicated The Book To Being About Was How Photographs Begin Their Life, And Where They Begin It. And They Begin It With The Photographer's Imagination And Instinct And Experience.

The Class That I Teach Is Called "the Life Of A Photograph." It Takes Up The Question, Of The Billion Photographs That Were Taken Today, How Many Will Have A Life, And Why? So The New Reality Has Made The Question More Pertinent, Not Less Pertinent.

The Neatest Part Of This Book I'm Working On - To Me - Are The Pictures That Show The Process... Because Photographers... Think Things Through And... It Isn't Luck, And It Isn't Random And It Isn't Accidental. It Isn't.