Stupid F***ing White Man.

[kenneth Koch] Taught Children In Public Schools In New York City To Write Poems And Told Them Down Worry About Rhyming, Don't Worry About Any Of That Stuff. You Know, Write A Poem Where You Mention Three Colors And Make It Five Lines - Or He Would Just Give Them, You Know, Little Strategies. And, Man, They Wrote Some Great Poems.

I Like Actors Who Just Become That Person And Then React, And Adam [driver] Is Completely Reactive In That Way. So Every Day Working With Him Was Really A Pleasure. And He's In Almost Every Scene In The Film, So The Poor Guy Had To Work The - Almost The Entire 30 Days Of Our Film Shoot. But, Yeah, He Was Really A Pleasure, And I Really Love What He - How He Embodied This Character.

Jim Jarmusch: Poets Are Always Ahead Of Things In A Certain Way, Their Sense Of Language And Their Vision.

The Filmmaker Amos Poe Was A Huge Inspiration For Me By Making Guerrilla-style Punk Films On The Streets Of New York And - Well, It's Just A Lot Of Painters And Artists And Filmmakers All Within That Scene, And It's Very, Very Important To Me.

I Like All Forms Of Movies. I'm A Movie Geek, So I Watch All Kinds Of Films, But - And I Read All Kinds Of Things, Too. But The Poetry That Speaks To Me The Most Directly Will Contain Mundane Things, Will Contain Details.