Stravinsky Is Masterly: His Harmony Is Conceived

Somehow, Conductor As This Superhuman Conduit Between The Masters And The Masterpieces And The Immortals.

I Don't Believe In An Annual Dose Of Film Music For The Sake Of It Being Film Music. If We Program Film Music, It Will Be Because There Is A Real Artistic Reason For Doing So.

Orchestras Have Become Used To The Emphasis On The Separation Of Layers, Of The Ultimate Precision And Clarity.

Our Industry [classic Music] Has Kind Of Retarded Into This Kind Of Endless Cover-producing Thing, And It's A Pity.

Every Orchestra I Know, Every Opera House I Know, Is Desperately Looking Around Trying To Find New Talent, New Composing Talent, Supporting Young Composers, Supporting New Ideas, Supporting New Ways Of Getting The Message Across.