I Love A Visceral Sound, The Kind

The Players Never Think They Project Enough. In A Hall That Seats 3,300 People, It's A Very Scary Thing To Play So Quietly That You Can Barely Hear Yourself.

I Think We Still Do Have A Pr Problem In The Sense That These Institutions Portray Themselves Quite Often As A Museum Without The Contemporary Wing. For A Young Cutting-edge Person, Why Would You Get Into That Sort Of Business, Which Is Very Clearly Geared Towards Dead Or Almost Dead People?

If We Always Thought Like That, Why Would We Study Physics, Why Would We Think Of Cosmology, Why Would We Do Any Kind Of Research? Because We Know Already So Much That There Is No One Person Who Can Contain All That Information.

We're Dealing With Music That Is Being Played By Traditional Instruments In A Specifically Built Building Called A Concert Hall. But Classical Is Not - The Reference Is Wrong, Because Classical On One Hand Refers To One Period In Musical History, Which Is Mozart, Hayden, Beethoven, Which Is A Fine Period In Musical History, But It Was A While Ago.on The Other Hand, It Sort Of Alludes To Some Kind Of "class," Which A, Is Not True; B, Is Kind Of Detrimental To The Whole Idea. Because The Point Is That This Music Is Available And It's Actually Relatively Reasonably Priced.

Sometimes You Spend Nine Months, 10 Months, A Year Writing A Piece That You Will Hear Two Years Later Or Something Like That, And You Never See Anybody. It's A Very Different Sort Of Metabolic.