Sound Doesn't Always Have To Be Heard.

I Write A Lot, And Very Often I Write A Couple Of Lines That Are Particularly Revealing In Some Kind Of Way. And Then As A Few More Lines Get Added And A Piece Gets Added, Eventually The Song Pretty Much Takes Over And You Can't Really Find A Way To Change Those Things.

Everyone Wants To Feel That They Matter.

There's That Kind Of Song, "whoah Baby, I Love You," Which Doesn't Have A Visual Element, But A Very Strong Emotional Element, And These Are The Great Songs To Me - Those Ones That You Put Them On And They Just Make You Feel Great, Or Whatever.

I Want To Write Songs That Are So Sad, The Kind Of Sad Where You Take Someone's Little Finger And Break It In Three Places.

And She Moves Among The Sparrows. And She Floats Upon The Breeze. She Moves Among The Flowers. She Moves Something Deep Inside Of Me