She Doesn't Quite Chop His Head Off.

I Don't Do A Comic Book Thinking There Is A Movie. I Just Want It To Be As Good A Comic Book As It Can Be.

It's One Thing To Be Sitting At A Drawing Board, Alone In Your Home And Coming Up With A Fantasy Character, And Drawing Her Whichever Way You Feel Like Drawing, Then Dealing With A Real Performer. All Of A Sudden, Things Change. It's Amazing, In Working With Actors, How Much I Learn From Them And How Many New Lines Will Come To Mind Because Of Their Personality Or Their Strengths.

It Is More Raw And Unfettered And I'm More Likely Going Into Something You Could Call Extreme Cartooning. There's A Lot Of That In The Course Of 'holy Terror.' There Are Interludes Where There Are Pictures - Cartoon Pictures - Of Modern Figures And They Are All Wordless. It's Up To Readers To Put The Words In.

People Are Attempting To Bring A Superficial Reality To Superheroes Which Is Rather Stupid. They Work Best As The Flamboyant Fantasies They Are. I Mean, These Are Characters That Are Broad And Big. I Don't Need To See Sweat Patches Under Superman's Arms. I Want To See Him Fly.

When You Have A Brush In Your Hand, Inking A Beautiful Woman Is A Lot Like Running Your Hands Over Her.