Real Love Isn't Ever Ambivalent.

So I Think I'll Say The Obvious Thing: Theater Is Ephemeral. When A Production Is Done, It's Gone Forever. You Can Take Pictures Of It. You Can Make A Film Of It. But It's Not The Production. It's Not The Same Thing.

I Think That Everybody Who Writes Believes That Their Work Has Some Kind Of Use-value, For Someone, That There's Some Need For It, Some Person Or Group Of People Out There Has Demanded That These Words Come Into Being. I Think That You Do The Work For These People. You Hope That You Can Make A Living At It. Whatever Your Ambitions And Needs Are In That Regard, Your Only Real Requirement Is To Try And Dig As Deeply As You Can Dig To Make Sense Of The Meaning Of Human Existence.

There's A Kind Of A Fundamental Irresponsibility In Playwriting, And The Strength Of Playwriting Comes From That Irresponsibility.

Broadway Remains The Closest Thing We Have To A National Theatre, The Place Where The Greatest Number Of People Can Potentially See New Work. For An American Playwright To Say It Doesn't Matter Is Simply To Capitulate To The Current Situation.

But I Still Read Shaw On A Regular Basis. What I Love Is The Nakedness Of The Polemic And The Irresistible Good Humour. For Me, 'major Barbara' Is The Greatest Of All The Plays In That It Starts From The Rational And Proceeds To The Ecstatic In A Spectacular Way, And Leaves You Very Confused If You Cling To Euclidean Logic.