Our House Is Our Corner Of The

The Reverie We Intend To Study Is Poetic Reverie. This Is A Reverie Which Poetry Puts On The Right Track, The Track An Expanding Consciousness Follows. This Reverie Is Written, Or, At Least, Promises To Be Written. It Is Already Facing The Great Universe Of The Blank Page. Then Images Begin To Compose And Fall Into Place.

The Best Proof Of The Specificity Of The Book Is That It Is At Once A Reality Of The Virtual And A Virtuality Of The Real.

Here We Are At The Very Core Of The Thesis We Wish To Defend In The Present Essay: Reverie Is Under The Sign Of The Anima. When The Reverie Is Truly Profound, The Being Who Comes To Dream Within Us Is Our Anima. For A Philosopher Who Takes His Inspiration From Phenomenology, A Reverie On Reverie Is Very Exactly A Phenomenology Of The Anima, And It Is By Coordinating Reveries On Reverie That He Hopes To Constitute A "poetics Of Reverie". In Other Words, The Poetics Of Reverie Is A Poetics Of The Anima.

Cosmic Reveries Separate Us From Project Reveries. They Situate Us In A World And Not In A Society. The Cosmic Reverie Possesses A Sort Of Stability Or Tranquility. It Helps Us Escape Time. It Is A State.

Dreaming By The River, I Dedicated My Imagination To Water, To Clear, Green Water, The Water That Makes The Meadows Green.