Of Course, I'm No Dummy.

Film School Is A Complete Con, Because The Information Is There If You Want It.

You Have To Be A Brat In Order To Carve Out Your Parameters, And You Have To Be A Monster To Anyone Who Gets In Your Way. But Sometimes It's Difficult To Know When That's Necessary And When You're Just Being A Baby, Throwing Your Rattle From The Cage.

The Films That I Love Are Very Straightforward Stories, Like Really Old-fashioned Stuff.

I Guess What I Like In My Movies Is Where You See A Character Change By Maybe Two Degrees As Opposed To The Traditional Movie Change Of Ninety Degrees. I Guess That Always Feels False To Me In Movies Because That Doesn't Truly Happen. Around Me, At Least In The Life I Live, I Guess I Don't See People Change Ninety Or A Hundred Degrees. I See Them Change In Very Small Increments. I Think It's Just A Monitor I Might Have On Myself As A Writer To Not Make Any False Scenes.

I Really Subscribe To That Old Adage That You Should Never Let The Audience Get Ahead Of You For A Second. So If The Film's Abrasive And Wrongfoots People Then, Y'know, That's Great. But I Hope It Involves An Audience.