None Of My Characters Have Really Had

Over And Over In The Play My Character Says, "i'm Thirty-two Years Old," As If That Should Explain Everything That's Wrong In Her Life. I Don't Know What It's Like To Be Thirty-two, But I Can Imagine. I Imagine She Means She's Stuck In An In-between Time, She's At An Age That Isn't A Milestone But More Of A No-man's-land, An Age Where She's Feeling Like Her Hopes Are Fading.

I Didn't Grow Up Identifying With Beauty. I Grew Up Thinking I Could Be Smart And Funny - Those Are The Things I Got Feedback On.

It's Also Show Business. It's Not "show Fun Friends".

As Actors We Always Say That Once The Person In A Scene Gets What They Want, The Scene Is Over. It's Resolved. But Life Is Never Resolved - You're Always In The Process.

I Came From A Sorkin-like Project In The Sense That There Was No Freedom To Change A Line, Which, In A Weird Way, Is Its Own Freedom Because You're Living Within That Structure And Know This Is What It Is. You Just Adjust. Every Project Has Its Own Personality.