No One Bears Witness For The Witness

Death Is A Master From Germany.

We Are Told That When Hölderlin Went 'mad,' He Constantly Repeated, 'nothing Is Happening To Me, Nothing Is Happening To Me.'

A Poem, Being An Instance Of Language, Hence Essentially Dialogue, May Be A Letter In A Bottle Thrown Out To The Sea With The-surely Not Always Strong-hope That It May Somehow Wash Up Somewhere, Perhaps On The Shoreline Of The Heart. In This Way, Too, Poems Are En Route: They Are Headed Towards. Toward What? Toward Something Open, Inhabitable, An Approachable You, Perhaps, An Approachable Reality. Such Realities Are, I Think, At Stake In A Poem.

Tall Poplars--human Beings Of This Earth!

Illegibility Of This World. All Things Twice Over. The Strong Clocks Justify The Splitting Hour, Hoarsely. You , Clamped Into Your Deepest Part, Climb Out Of Yourself For Ever.