Death Is A Master From Germany.

Spring: Trees Flying Up To Their Birds

How You Die Out In Me: Down To The Last Worn-out Knot Of Breath You're There, With A Splinter Of Life.

A Poem, As A Manifestation Of Language And Thus Essentially Dialogue, Can Be A Message In A Bottle, Sent Out In The –not Always Greatly Hopeful-belief That Somewhere And Sometime It Could Wash Up On Land, On Heartland Perhaps. Poems In This Sense Too Are Under Way: They Are Making Toward Something. Toward What? Toward Something Standing Open, Occupiable, Perhaps Toward An Addressable Thou, Toward An Addressable Reality.

Poetry Is Perhaps This: An Atemwende, A Turning Of Our Breath. Who Knows, Perhaps Poetry Goes Its Way—the Way Of Art—for The Sake Of Just Such A Turn? And Since The Strange, The Abyss And Medusa’s Head, The Abyss And The Automaton, All Seem To Lie In The Same Direction—is It Perhaps This Turn, This Atemwende, Which Can Sort Out The Strange From The Strange? It Is Perhaps Here, In This One Brief Moment, That Medusa’s Head Shrivels And The Automaton Runs Down? Perhaps, Along With The I, Estranged And Freed Here, In This Manner, Some Other Thing Is Also Set Free?

Each Arrow You Shoot Off Carries Its Own Target Into The Decidedly Secret Tangle