Never To Get Lost Is Not To

Never To Get Lost Is Not To Live, Not To Know How To Get Lost Brings You To Destruction.

Perhaps The Central Question About [eliot] Porter's Work Is About The Relationship Between Science, Aesthetics, And Environmental Politics. His Brother, The Painter And Critic Fairfield Porter, Wrote In A 1960 Review Of [porter's] Colour Photographs: 'there Is No Subject And Background, Every Corner Is Alive,' And This Suggests What An Ecological Aesthetic Might Look Like.

...the Gym Is A Kind Of Wildlife Preserve For Bodily Exertion. A Preserve Protects Species Whose Habitat Is Vanishing Elsewhere, And The Gym (and Home Gym) Accommodates The Survival Of Bodies After The Abandonment Of The Original Sites Of Bodily Exertion.

I Was Fifteen, And When I Picture Myself Then, I See Flames Shooting Up, See Myself Falling Off The Edge Of The World, And Am Amazed I Survived Not The Outside World But The Inside One.

Memory, Even In The Rest Of Us, Is A Shifting, Fading, Partial Thing, A Net That Doesn't Catch All The Fish By Any Means And Sometimes Catches Butterflies That Don't Exist.