Nature Herself Is A Mass Murderer, Making

Women Are Not In Control Of Their Bodies; Nature Is. Ancient Mythology, With Its Sinister Archetypes Of Vampire And Gorgon, Is More Accurate Than Feminism About The Power And Terror Of Female Sexuality.

Cinema Is The Culmination Of The Obsessive, Mechanistic Male Drive In Western Culture. The Movie Projector Is An Apollonian Straight-shooter, Demonstrating The Link Between Aggression And Art. Every Pictorial Framing Is A Ritual Limitation, A Barred Precinct.

Contemporary Feminism Cut Itself Off From History And Bankrupted Itself When It Spun Its Puerile, Paranoid Fantasy Of Male Oppressors And Female Sex-object Victims. Woman Is The Dominant Sex.

Elizabeth Taylor Is, In My Opinion, The Greatest Actress In Film History. She Instinctively Understands The Camera And Its Nonverbal Intimacies. Opening Her Violet Eyes, She Takes Us Into The Liquid Realm Of Emotion, Which She Inhabits By Pisces Intuition. Richard Burton Said That Taylor Showed Him How To Act For The Camera. Economy And Understatement Are Essential. At Her Best, Elizabeth Taylor Simply Is. An Electric, Erotic Charge Vibrates The Space Between Her Face And The Lens. It Is An Extra-sensory, Pagan Phenomenon.

Charisma Is The Numinous Aura Around A Narcissistic Personality. It Flows Outward From A Simplicity Or Unity Of Being And A Composure And Controlled Vitality. There Is Gracious Accommodation, Yet Commanding Impersonality. Charisma Is The Radiance Produced By The Interaction Of Male And Female Elements In A Gifted Personality. The Charismatic Woman Has A Masculine Force And Severity. The Charismatic Man Has An Entrancing Female Beauty. Both Are Hot And Cold, Glowing With Presexual Self Love.