My Work Isn't About Form. It's About

We Like To Think Of Industrialization As Being Despicable. I Don't Really Know What To Make Of It. There’s Something Terribly Brittle About It. I Suppose I Would Still Prefer To Sit Under A Tree With A Picnic Basket Rather Than Under A Gas Pump, But Signs And Comic Strips Are Interesting As Subject Matter. There Are Certain Things That Are Usable, Forceful, And Vital About Commercial Art. We're Using Those Things – But We're Not Really Advocating Stupidity, International Teenagerism, And Terrorism.

Color Is Crucial In Painting, But It Is Very Hard To Talk About. There Is Almost Nothing You Can Say That Holds Up As A Generalization, Because It Depends On Too Many Factors: Size, Modulation, The Rest Of The Field, A Certain Consistency That Color Has With Forms, And The Statement You're Trying To Make.

I'd Always Wanted To Know The Difference Between A Mark That Was Art And One That Wasn't.

Color Is Crucial In Painting, But It Is Very Hard To Talk About.

My Direction Is Very Anti-contemplative. If You Thought I Was For Commercial Products, You'd Think There Was No Irony. The Irony Isn't Meant To Be An Ironic Comment On Our Society, Exactly.