My Life Is Not Possible To Tell.

Hollywood Is A Mirage Factory.

Not Afraid Of Poverty And Drabness And Who Is Untouched By It, Untouched By The Drunkenness Of Her Friends; (she) Who Judges, Selects, Discards People With Severity, Who Knows, When She Is Telling Her Endless Anecdotes, That They Are Ways Of Escape, Keeping Herself All The More Secret Behind That Profuse Talk.

Talk—half-talk, Phrases That Had No Need To Be Finished, Abstractions, Chinese Bells Played On With Cotton-tipped Sticks, Mock Orange Blossoms Painted On Porcelain. The Muffled, Close, Half-talk Of Soft-fleshed Women. The Men She Had Embraced, And The Women, All Washing Against The Resonance Of My Memory. Sound Within Sound, Scene Within Scene, Woman Within Woman—like Acid Revealing An Invisible Script. One Woman Within Another Eternally, In A Far-reaching Procession, Shattering My Mind Into Fragments, Into Quarter Tones Which No Orchestral Baton Can Ever Make Whole Again.

The Final Lesson A Writer Learns Is That Everything Can Nourish The Writer.

Human Beings Can Reach Such Desperate Solitude That They May Cross A Boundary Beyond Which Words Cannot Serve, And At Such Moments There Is Nothing Left For Them But To Bark.