My Hand Trembles, My Heart Does Not.

We Shoot Double Episodes In 15 Days In Los Angeles.

I Directed 24's Pilot. I Felt We Should Follow The Characters Around As If We Were A Documentary Crew, Using Available Light, Hand-held Cameras, Split Screens, Sound That Isn't Always What It Should Be, To Suit The Reality Of The Premise.

I Have An Adult Emotional Life And An Editing System Inside Me Which Prevents Me From Being Preposterously Stupid.

Each Environment Has Its Own Signature. Sound Tells A Story: You Make Choices About What You're Hearing, Where To Look, How You Want To Feel About What's Going On.

I've Always Been A Bit Of A Sound Freak In The Movies I've Done.