Most Of My Early Records Were Not

With My Own Music, I Try To Get Away From Things That Are Familiar And Things That Would Be Easy For Me To Go To.

You Just Want To Go Back To Those 70s Albums. Even A Lot Of The 90s Indie Records Were Still Done On Tape, And You Hear The Difference.

For The Records I've Work On Over The Last 10 Years, I Get Sent The Really Compressed Version And The Non-compressed Version, And Oftentimes You End Up Going With The More Compressed One Because It's What People's Ears Are Attuned To. I Think The Bigger Problem Is Saturation And People Being Desensitized.

I Remember You Would Record A Guitar Part, And We Would Have To Sit There For 15 Or 20 Minutes Waiting For The Computer To Process It. You'd See The Little Wheel Spinning On The Computer, And You'd Be Praying That The Hard Drive Didn't Crash And You Didn't Lose The Performance.

There Are Certain Records That You Love Because The Songs Are Great, But You Don't Go To Them As An Example Of Great Production.