As Society Changes, As Politics Change, As

I've Personally Reached The Point Where The Sound Of Mp3s Are So Uncompelling, Because So Much Is Lost In Translation.

There's An Infinite Amount Of Possibilities And Detours And Things That Can Distract You From Actually Just Performing The Song And Having Whatever Emotion That's Invested Into The Song Come Through In The Recording.

There's 40 Or 50 Songs That Nobody's Heard That I've Done In Between Albums. There's A Whole Evolution From Midnite Vultures To Sea Change That's Never Been Released.

Eventually, If You're Experimenting With A Sound That's Unfamiliar, It Gets Absorbed, And Somebody Comes And Does It Better, And It Becomes Part Of A Vocabulary.

Most Of My Early Records Were Not Cohesive At All, Just Collections Of Demos Recorded In Different Years. 'odelay' Was The First Time I Actually Got To Go In The Studio And Record A Piece Of Music In A Continuous Linear Fashion, Although That Was Written Over A Year.