Most Directors Prefer To Direct Everything Themselves.

I Think 3d At 24 Frames Is Interesting, But It's The 48 That Actually Allows 3d To Achieve The Potential That It Can Achieve, Because It's Less Eye Strain And You Have A Sharper Picture Which Creates More Of A 3-dimensional World.

I Think That's The Job Of A Director Really, To Sort Of Funnel All The Creativity Into One Centralized Point Of Being.

The Vast Majority Of The Cgi Budget Is Labor.

The Only Thing About 3-d Is The Dullness Of The Image.

No Matter How Many Great Performances Or Exciting Visuals We Put Together For The Movie, We Found That It Was All Somewhat Two Dimensional Until We Added The Emotional Heart Of Howard Shore's Music. Then, And Only Then, Did The Film Come To Life.